In many ways, Shame, the new album from 27-year-old Nashville Americana songwriter and multi-instrumentalist Rachel Baiman (out June 2, Free Dirt Records), is an exploration of growing up female in America. Despite the serious subject matter, the overall tenor of the album remains light while the arrangements depart from her stripped-down work with progressive folk duo 10 String Symphony. Shame is lush and varied aided by the production and recording talents of Mandolin Orange’s Andrew Marlin. Musically inspired in equal parts by John Hartford and Courtney Barnett, Baiman’s influences are myriad, however years spent playing traditional music shine through in the album’s firmly rooted sound. Over the album’s ten tracks, Baiman commands attention with songwriting prowess and a depth of presence well beyond her 27 years.
Shame’s musical intensity is rooted within the current American political climate. “I wasn’t necessarily trying to write songs that would be easy to listen to,” Baiman says of the project. “I wanted to write about reality, in all of it’s terror and beauty.” From the title track about abortion politics, to love, sex, and abuse in relationships, to classism and inequality in her re-write of Andy Irvine’s working class anthem “Never Tire of the Road,” the album is ambitious in its scope, yet remains cohesive through Baiman’s personal perspective. In addition to the release of her new solo album, Baiman is the co-founder of a new political group called Folk Fights Back, a musician-led national organization that puts together benefit concerts and awareness events in response to the Trump administration.
Baiman is no newcomer to activism. Raised in Chicago by a radical economist and a social worker, she was surrounded by social justice issues her entire life. “If I wanted to rebel against my parents I could have become a finance banker or a corporate lawyer” she says of her childhood. While her classmates went to church or temple on Sunday mornings, Baiman attended the Ethical Humanist Society of Greater Chicago, a non-religious community formed around discussions of morality and current events. “That was always a tough one to explain at school” she says with a laugh.
As a teenager, Baiman found music to be a welcome escape from worrying about global politics. “I often found the constant discussion of seemingly unsolvable problems to be intense and overwhelming, and when I moved to Nashville to pursue music it felt like something positive, beautiful and productive that I could put into the world. Now that I’ve had some years to devote to music,”—Baiman has been recording and touring internationally for the past 4 years with 10 String Symphony, and has played fiddle for numerous other artists including Kacey Musgraves and Winnipeg folk band Oh My Darling—“I find it hard to escape from the values that I grew up with, and I feel compelled to write politically, to speak out about things that I’ve experienced or seen. Songwriting is a unique opportunity to do that, because it avails a more emotional vehicle for discussion. I love the political tradition of folk music, from Woody Guthrie to Tupac, and my hope is that this record adds another voice to it.”
A headlining US tour coming this spring and summer. More dates to be announced soon.
June 1 – Nashville, TN @ The Station Inn
June 2 – Columbus, OH @ The Refectory
June 3 – Chicago, IL @ Fitzgerald’s
Rachel’s 2014 release “Speakeasy Man” has been nominated in the 14th annual Independent Music Awards for Album of the Year in the Americana category. Check out the nominees at the link below:
Here is a video of a new tune I composed as a kickstarter reward. It was written for my good family friends Beth O’Sullivan and Al Mailman, commissioned by their daughter, Leigh O’Sullivan Flannery to celebrate their wedding anniversary. Video is by the incredible EJ Holmes-Dawson, with assistance from Rorey Carroll, and features the amazing Dave Goldenberg on Mandolin!
I’m really excited about some upcoming performances with Tattletale Saints and Dave Goldenberg. You can catch us in the following places this week:
Monday April 28th, Concert Window! Stream from anywhere:
Wednesday April 30th: Lexington, KY at Natasha’s
Thursday May 1st: Fitzgerald’s in Berwyn, IL
Friday May 2nd: The American Ethical Union in Skokie, IL
Here are some kind works from the Wednesday Journal about the upcoming show in Chicago!
Two great reviews of Speakeasy Man, Thank you!
“It’s a mixture of originals, covers and traditional tunes, mixing vocal cuts with instrumentals, and there isn’t a bum note to be found. The instrumentals are a real treat with ‘The Tortoise and the Hare/Pinnacle Ridge’, ‘Thank You, Liz Carroll’ and ”Nancy’s Waltz’ getting you to hit the repeat button straight away.“
Read the full review from The Rocker HERE
“…Her first solo album, Speakeasy Man is truly a work of art. It is a reflection of Rachel’s skill, intelligence, and passion. I loved this album. It was recorded half in Scotland and half in Nashville and brings elegant technique home to raw Americana. The result is beautiful and emotive.”
Read the full review from EarToTheGroundMusic.com HERE
Check out my new album, Speakeasy Man, available on bandcamp at:
I’m really excited and proud of this project, which features some of my favorite musicians in the world. It was recorded half in Scotland this past August, and the other half in Nashville this past October. Enjoy!